CONCERT
OF TRADITIONAL CRETAN MUSIC BY VASSILIS
STAVRAKAKIS
By Yannis Samatas
It was one of the hotter summer nights of
July when I left Heraklion "boiling" at 31C and took the road for
the inner island towards the municipality of Profitis Ilias.
Five or six kilometres out of the city the temperature already
dropped to 27 degrees and I drove the rest of the way with
relief to the concert of Vassilis Stavrakakis at the Theatre
of Agron (Fields), located at the small village of Kiparissi,
about 25 kilometres south of Heraklion. This part of the island
is rural farmlands, with hills filled with olive trees and
vineyards. The road in this area is winding and quite narrow,
but each turn brings me a little further from the hustle,
bustle and heat of the city. Once again, I'm impressed with
the fact that a "Crete" so different can exist
so close to Heraklion. It's obvious that life here rolls on
in a different rhythm - so much simpler, nearer to nature
and people - in essence, more real.
The municipality is quite large, with a
population of about 3,000 people whose main businesses are
agriculture, stock farming and some industry. Near the county
seat there is the historical site which gave its name to
the entire district. Southeast of Profitis Ilias town, you
can see the peaks of Rokka, where Nikiforos Fokas, in 961
AD, built the Temenos Fort to protect the Heraklion area
from the Corsairs, and other later invaders. By the way,
recent archaeological searches show that it was in this area
that the Acropolis of prehistoric Lykastos was built - one
of the 100 Cretan cities mentioned in Homer.
The Theatre of Agron is situated a short
distance before Kiparissi - there are signs and it's easy
for someone to find. I park my car on the road, and walk
down through the vineyards. It is so unnaturally quiet for
a concert area that my first thought is that I came through
the wrong entrance. Then I spot the evidence that a Cretan
Music Concert will start soon - it's a poster announcing
the evening's fare, with a small table at which young girls
are dispensing tickets at € 10 a head. The theatre itself
is a stone-built amphitheatre with bench-type seats and a
circular stage. It blends nicely with the surrounding nature,
and the fact that it was created by a private citizen, Yiannis
Somarakis, without the support of any government agency,
impresses even more.

Every summer numerous events, which are followed with interest
by many residents of Heraklion, are held in the theatre. The
atmosphere is loose and comfortable, and some very good souvlakis,
along with cold beer and soft drinks, are available from
the theatre's cantina.
After the usual 45-minute delay, the
concert started with Vassilis Stavrakakis, an artist known
throughout Crete for the quality of his musical creations
and interpretations. This evening he was accompanied by:
Iakovos Paterakis
Mihalis Stavrakakis
Antonis Fragiathakis
Maria Fasoulaki
Giorgos Stavrakakis
They played beautiful traditional Cretan
music, with a combination of old and new songs. There was
a variety of tunes - some
wonderful melancholy numbers, slow and nostalgic, but also
a collection of uplifting and vigorous tunes. We especially
enjoyed the Mantinathes (Cretan limericks) about the sorrow
of love, but also about how love brings joy and meaning to
life at any age.
Maria Fasoulaki's vocal interpretations
were wonderfully filled with a melodious maturity. Mihalis
and Giorgos Stavrakakis, considered tops in their field,
also sang several numbers. Of course, Vassilis Stavrakakis
was the star of the evening, and he easily filled that role
with his robust, mature voice, and the endless liveliness
of his performance. His work is characterized by its quality
and respect to tradition - in
other words, his refusal to introduce elements which would
debase the attributes of Cretan music. Regardless of what
anybody writes about the concert, what counts most is its
acceptance and appreciation by the audience, and that night
the performers collected those two commodities by the bushels.
The people applauded enthusiastically, not once but several
times, and it was easy to tell that a beautiful night at
the Theatre of Agron was enjoyed by all.

Congratulations to Vassilis Stavrakakis
and his company for providing such musical joy. And, of course,
many thanks to Yiannis Somarakis, for building such a delightful
venue - and
for proving once again that an inspired, restless and creative
man can often succeed in what those big-planning "experts" only
promise.
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